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Thread: The Source of Eddie's "Tone"?
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08.06.20, 05:32 PM #1
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The Source of Eddie's "Tone"?
This is a topic that has been discussed and dissected ad nauseum for over 40 years. The point I'm going after here is not equipment related, but influence related. The actual SOURCE. Where did THAT sound come from? In all the years of articles, interviews, YouTube geeks trying to recreate it, and even Ed himself constantly chasing that elusive tone, or "Brown sound", I've never heard anyone ask, "Where does it come from?" I don't know that Ed even really knows. There were vague references to Clapton's early sound with Cream. The thick, "woman tone". I can't say that I ever really heard much of a connection. But, I digress. Beyond that, little else is ever really said. He's just always said, "I have a sound in my head."
As guitarists, a friend and I have kicked this around for too many years. Not only because it's THE holy grail guitar sound, but because you unavoidably ask yourself how THE HELL someone comes up with that. It's "The Great Mystery". You want to know.
One night, this same friend texts me...."I GOT IT!"...."I know where Eddie's sound comes from."
He was home with his toddler son, exposing him early on. Camped out on the living room carpet, playing Diver Down on vinyl for the next generation. That was when the lightbulb went off for him. And, his suggestion is a really, REALLY valid one.
He was listening to "Big Bad Bill (Is Sweet William Now) and the clarinet solo smacked him in the face in a new way. The sound of Jan's clarinet...that warm, reedy, woody tone. How it distorts slightly with the playing. THAT'S the sound in Ed's head. Or, at least where it came from. Growing up listening to Jan play, playing WITH Jan at home and even at gigs, as we know the brothers did. As crazy as it sounds, the sound of his father's clarinet may well be the source of Eddie's Earth-shattering "Brown Sound". After suggesting that, I can't un-hear it. I hear it throughout his playing, now. I hear it in everything from "Little Dreamer" to "Secrets". From "Sinner's Swing" to "Summer Nights" or "Big Fat Money". I just hear it and recognize it everywhere.
Crazy idea? Or astute insight into the greatest guitar sound ever created?
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08.06.20, 05:38 PM
#2


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That's an incredible and plausible theory. I can dig it.
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08.06.20, 06:05 PM
#3


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The solo in So This Is Love? always sounded to me like it has a sax/clarinet vibe going on.
I think you're on to something and I think he would agree with you.
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08.06.20, 07:31 PM
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I've always loved that Van Halen put a song like Big Bad Bill on an album. But, yeah, I've always thought that Jan probably approached that solo the same way that Eddie would (on the guitar).
08.06.20, 07:40 PM
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Sounds like a pretty good theory. He grew up listening to that. If he liked it, stands to reason that the "color" of that clarinet sound was what he was looking to get out of his amp.
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08.06.20, 09:14 PM
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This is a cool theory. And remember, in the Smithsonian interview, when he was asked if there was one musician that he wished he could play with, he said his Pop.
It's pretty obvious Jan was a huge influence on both Ed and Al.
08.06.20, 10:11 PM
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I hear the jazzy clarinet in his phrasing sometimes, especially So this is love,
but tone wise, he's way more high octane.
Ed's guitar tone, was like next level Cream/ZZ Top.
It was very much based on previous guitar tones, but tweaked & dialed to sound
like a jet plane.
He wasn't trying to dial in a clarinet/jazz trip.
Graver, Walking Ed, refugee from CVH & proud tone chaser...
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